Back in 2009, EAST produced an exhibition of contemporary work based on textiles, objects and other items from the Warner Textile Archive, based at Braintree in Essex. My interest in history led me to this furnishing fabric that probably dates from the late eighteenth or early nineteenth centuries. Produced in France this printed cotton would have been a fashionable addition to the home of a very middling-sort of couple. I even speculated that it was the sort of item deemed appropriate as a wedding gift.
Gifts, as we know, often come in boxes and I therefore decided to translate the design on the cloth into a 3D object. This meant that I could incorporate another aspect of the story behind the fabric – an often unacknowledged or hidden history. A Dark Secret Behind a Thing of Beauty was the title of my response. I wanted to make a comment that it is all too easy to look at a piece of fabric and think of it just in terms of its design or its beauty – less so about the tragedy behind its manufacture. It was particularly important to highlight how what seemed quite an innocuous item was very probably the product of slavery.
Inside the box I created a copy of an image used by the abolitionists, along with the words ‘Am I not a man and a brother?’ Designed by Josiah Wedgwood (1730-1795) and turned into cameo brooches in the 1790s, these items would have been worn by the many women supporters as a means to raise awareness of this abhorrent trade. It took several decades to end the transportation of slaves, but even that did not end slave labour – and sadly it still continues today, in many forms. Slavery is often, but not always associated with race, but even when it is not, it is always about inequality and power.
Remnants of the Slave Trade
A new way of meeting
The Darn Busters
Making our Marks
Dangerous Pockets Project Exhibition – A Community Art Collaboration by Paula MacGregor in Ipswich
Woven into the Courtauld exhibition