Delia Pusey (EAST member 2005-2015)
For Between the Lines Delia's main source of inspiration was the needle skills of local women in France and Belgium, and the poinancy of the messages on the silk embroidered cards sent home from the Front. Sadly Delia died during 2015, but her work, with the kind permission of her family, will continue to travel with the exhibition.
"Delia's Gallery" is now available on our Gallery page. It is hoped that further images will be added in due course.
For information on Delia's work and inspiration visit her personal page.
Yvonne Pedretti (EAST member 1997-2010)
Yvonne lived most of her life in Southend on Sea, Essex and this was often reflected in her work. She trained initially in jewellery at Birmingham Art College and later in textiles at Goldsmiths College, England. She became a full time artist and teacher in 1995 when she was made redundant from a city job and took the opportunity to pursue a career change in her passion for textiles.
She exhibited widely in Britain and internationally through her membership of EAST, Textile Expressions and by invitation until her death in 2010.
Throughout her career Yvonne was fascinated by notions of transparency and translucency, and how materials, even those seemingly opaque, can be used to transmit and reflect light. Her wall and sculptural pieces are formed through machine stitch, knit, crochet and weave.
In 2008 Yvonne said "They are a response to my lifelong passion for the sea. These strands are used to symbolise the overwhelming and unfathomed nature of life and the environment."
In 2008 all the EAST artists were asked various questions for the EAST 13 CD that was produced for that exhibition. From this we learnt of her love of Essex or Suffolk marshes, India, the works of Jane Austen (Persuasion and Pride and Prejudice) and the Jean Nouvelle's Museum, L'Institute Arabes, in Paris; ("the transparency, reflections, glass to the point of disorientation"). We also learnt of her interest in Abraham Ben Yiju, a 10th century merchant/adventurer. Yvonne also had a great love of music and said her favourite pieces were Prokofiev's first and second violin concertos ("etheral, transparent sound") and Quartet for the End of Time by Messiaen; ("poignant, even heart rending when considering it's context".)
What is the inspiration of the EAST artists for their latest exhibition?
Our next exhibition Following a Thread. is opening at Braintree Museum on 22 April and continues until 24 June 2017. It then moves on to Snape Maltings for just one week only from 29 June to 5 July 2017. Click HERE for more information.
Felicity is work for Following a Thread explores themes of how order, planning and timetabling are counterbalanced by chance and randomness, in particular related to life and work changes.
For her new work, Janette began with a piece of Renaissance art work that she researched as part of her art history course, but which ultimately led her back to the archives of the Foundling Hospital exploring ideas about value and ultimately asking what is precious - something expensive or something with a personal connection or memories.
Liz's current work looks at her personal relationship with Sizewell Nuclear Reactor. Her initial reaction was one of threat, particularly to the wildlife and surrounding landscape. Yet over the years the building almost appears to have mellowed and Liz wonders if it is possible to once again look at the natural beauty of the land and hardly notice the power station nestled there.
Jenny is looking at holloways, ancient pathways contrasted with the modern, urban Hollway Road, its name revealing its ancient past. Inspired also by the author Robert MacFarlane in The Wild Places, she considers his comment that holloways are like the wrinkles in the palm of the hand, irregular and deeply ingrained.
Margaret's current work looks at rocks and caves, in particular in relation to texture and rock formation. She has also been inspired by rock churches and frescoes in Turkey and Italy.